Published 2010
by Hong Kong University Press in Hong Kong .
Written in English
Edition Notes
Includes bibliographical references (p. [175]-191) and index.
| Other titles | Marking time in Chinese cinema |
| Statement | Jean Ma |
| Classifications | |
|---|---|
| LC Classifications | PN1993.5.C6 M3 2010 |
| The Physical Object | |
| Pagination | viii, 203 p. : |
| Number of Pages | 203 |
| ID Numbers | |
| Open Library | OL24977658M |
| ISBN 10 | 9888028057, 9888028065 |
| ISBN 10 | 9789888028054, 9789888028061 |
| LC Control Number | 2011410228 |
| OCLC/WorldCa | 613433287 |
Melancholy Drift. Book Description: Ma offers an innovative study of three provocative Chinese directors: Wong Kar-wai, Hou Hsiao-hsien, and Tsai Ming-liang. Focusing on the highly stylized and nonlinear configurations of time in each director's films, she argues that these directors have brought new global respect for Chinese cinema in. Melancholy Drift: Marking Time in Chinese Cinema. In this Book. Additional Information. Melancholy Drift: Marking Time in Chinese Cinema; Jean Ma ; Book; Published by: Hong Kong University Press, HKU; View contents. View Citation; summary. Ma offers an innovative study of three provocative Chinese directors: Wong Kar-wai, Hou Hsiao-hsien Cited by: "Theoretically sophisticated and elegantly written, Melancholy Drift elucidates the subject of cinematic time in its various configurations: as a response to historical ruptures and political upheavals, as representational politics, and as a reinvention of the art cinema. Get this from a library! Melancholy drift: marking time in Chinese cinema. [Jean Ma] -- This text looks closely at films by the most renowned directors of contemporary Chinese art cinema: Hou Hsiao-hsien, Tsai Ming-liang and Wong Kar-wai. It argues that these directors have collectively.
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